
Sean Tiffany’s CD packaging for Irish band So Long Lisa’s upcoming CD, “Seven Signs You’re a Superhero,” actually uses the artist’s own home as a background. “One friend who came over during the holidays mentioned that I look like I live in a house designed by a fourteen year old,” says Sean. “I've decided to take that as a compliment!” (more)
Judith Drews designed and illustrated the packaging, including a little booklet, for a charming CD of lullabies called, "CIRROCUMA." (more)
Ruth Rowland’s latest hand lettering assignment was the title signature for “Twiggy- Romantically Yours,” a new EMI collection of songs from the famous former model. (more)
Ruth Rowland produced the hand lettered album title for Soulicious, a collection of duets from Cliff Richard released by EMI, featuring some of the most respected names in soul music, including Roberta Flack and Freda Payne. (more)
Stephan Walter created the cool, simple imagery for the cover and the back of the new Ian Constable album. For the non-German speaking people out there, “d Schwiiz isch schön…” means: “Switzerland is beautiful…”
Jacob Thomas gets his pop on with this CD package for New York City garage rock band, Sister Anne. (more)
Craig LaRotonda recently worked on the package design and illustrations for a new CD by The Sutras, titled “Call Out We'll Find You.” This is the second studio release for the band; they contacted Craig after seeing his painting, "I Become the Tool". (more)
Mark T. Smith was approached by the band members of The Heavy Pets to create cover artwork for their upcoming album "Swim Out Past the Sun". The result was a colorful and eye catching cover and interior that perfectly captures the energy of the music. (more)
Jesse Kuhn’s design and illustration for Foster McGinty's new album, “Chateau Fiasco,” incorporates a bizarre and surreal flavor with a narrative approach. (more)
Paul Fricke created all of the illustrations for a Christian music EP CD, Bondage Breaker by Riot of Love. “I wasn’t sure at first whether the concept of Jesus in the American West would fly,” says Paul, “But I think it turned out well – we hit the right balance.” (more)