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February 27, 2012

Brian Stauffer’s cover for this week's Westword, illustrates an article about a young woman who falls in love with a thug who takes her on a killing spree that ends with his suicide and her incarceration. (more)

February 27, 2012

Kevin Sprouls employed his hedcut engraving style for a spate of recent portraits. First is this duet for the Drury University Semi-Annual magazine. (more)

February 27, 2012

Joyce Hesselberth gives us a look at another book that she illustrated this year for the McGraw-Hill KinderBound series, a 4-week educational program designed to transition preschoolers to kindergarten. Why the Sea is Salty is based on a Filipino folktale. (more)

February 27, 2012

Richard Borge shares a self-generated film title sequence he created for his own dream client, Brooklyn Animated Shorts Festival. (more)

February 23, 2012

Mark Smith’s page one image for the New York Times Living section illustrates an article about the joys, and oddities, of solitary living. (more)

February 23, 2012

Taylor Callery is inspired by politics, medicine and business in this new series of personal work. "Rebel China" is a portrait of artist and political activist, Ai Weiwei. (more)

February 22, 2012

Dale Stephanos commands the cover of this week's New York Observer with his caricature of William Boyland, the last of the "Brownsville Kennedys," and possibly the end of a political dynasty. (more)

February 22, 2012

Michael Sloan’s minimalist brush and ink drawings bring a sense of immediacy to this assignment on obesity for the Yale School of Public Health. (more)

February 22, 2012

A. Richard Allen’s elegant, understated work is the perfect match for the Folio Society’s new edition of “Lucky Jim” by Kingsley Amis. (more)

February 22, 2012

Ispotters abound in this week’s Science Times section of the New York Times. Ellen Weinstein’s hilarious image accompanies an article about aging eyes and how the reduced light affects the entire body. (more)

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