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MEGAN PIONTKOWSKI
September 25, 2017

Megan Piontkowski was commissioned directly by singer/songwriter Rebecca Pronsky’s Acme Hall Studios to illustrate and hand-stitch the cover of, “Witness: Hillary’s Song Cycle.”  (more)

September 21, 2017

Megan Piontkowski’s whimsical black + white ink wash drawings help bring a lovely historical cookbook to life.  (more)

May 16, 2017

Megan Piontkowski’s latest illustration in her ongoing series for the “Closures” essay in Threads magazine, took the author’s words at face value: The dress she made for herself made her look like a “burnt marshmallow.” (more)

April 25, 2017

Megan Piontkowski has illustrated the monthly column "Outtakes" for the music section of The Brooklyn Rail for the past six years.  Here are some of her latest pieces that accompanied eccentric review/personal essays. (more)

November 17, 2016

Megan Piontkowski's dreamy watercolor illustration for The Boston Globe last Sunday depicts a man and his grief counselor, an English bulldog named Stella.

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November 7, 2016

Megan Piontkowski was commissioned by Brooklyn based children's toy company Hazel Village to make a set of paper dolls to celebrate their first ever children's clothing line. (more)

November 4, 2016

Megan Piontkowski's latest illustration for the Threads Magazine “Closures” column is a whimsical take on one woman's upcycling of one family heirloom into another. (more)

August 31, 2016

Megan Piontkowski illustrates the quarterly column "Closures" for Threads Magazine, this time as a woman reflects over the wonderful clothing her mother sewed for her and her sister, including favorite Halloween costumes. (more)

June 3, 2016

Megan Piontkowski created a series of illustrations for Time Magazine to accompany “Bytes to Beans,” an article about our national obsession, coffee.  (more)

November 12, 2015

Megan Piontkowski is always happy to illustrate portraits of women for the Brooklyn Rail's music section; this watercolor of singer Cécile McLorin Salvant is especially resonant. (more)

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