Randy Glass created 20 watercolor portraits of contributors and columnists for TheStreet.com, financial guru Jim Cramer’s investment website. (more)
Randy Glass shares the first two of what is envisioned as an on-going illustrated portrait series for Washington Lawyer magazine. The Wall Street Journal stipple style was a natural choice for portraying commentator George Will and Supreme Court Justice Sandra Day O’Connor. (more)
Randy Glass was recently commissioned by AT&T to create graphite portraits of Alexander Graham Bell and about two dozen additional people of significance to their history. (more)
Randy Glass shares a few of his most recent pen and ink portrait illustrations for The Wall Street Journal, using the unmistakable “hedcut” style. First, a portrait of Xi Jinping, the President of the People’s Republic of China: (more)
Randy Glass illustrated the cover for The Criterion Collection’s brand new, digital restoration of Howard Hawks’ 1940 classic, “His Girl Friday” starring Cary Grant and Rosalind Russell. Randy managed to emulate the pen & ink drawing style popular in newspapers at that time. (more)
Randy Glass looked back through his archives to find four separate occasions that he employed his signature “hedcut” style to illustrate portraits of actor Tom Hanks for the Wall Street Journal. (more)
Randy Glass was invited by writer/designer Chip Kidd to participate in creating a cover for his DC Comics’ limited series, “Batman: Black and White.” (more)
Randy Glass was commissioned by the Smithsonian Museum of American History to illustrate a series of portraits for their new permanent exhibit, “American Enterprise,” which opened to the public on July 1st. (more)
Randy Glass’s illustration of the Earth wearing a gas mask somehow landed him an Ortega Salsa ad a couple of months later. Must have been the garlic…? (more)
Randy Glass was commissioned by the Los Angeles County Museum of Art to create a pen & ink stipple interpretation of Ottavio Leoni’s iconic portrait of Caravaggio, to be used as a focal point in the installation of a new exhibit, “Bodies and Shadows: Caravaggio and His Legacy.” (more)
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