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September 26, 2011

Richard Borge assembled a wicked little pack of bugs to illustrate a Wall Street Journal article on the history of computer viruses. (more)

September 26, 2011

Daniel Hertzberg’s disturbing image for the Sunday New York Times Book Review illustrates an assessment of “Sorry,” a thriller in which the reader may actually be the serial killer in the story. (more)

September 26, 2011

Martin Ansin’s work is among that of 150 artists featured in “Illustration Now!” volume 4, newly published by Taschen. (more)

September 23, 2011

Tim O’Brien was given an article over the summer, to be published in Playboy, about a clandestine program to attempt to breed a human ape hybrid race in the Soviet Union around the time of the Second World War.  The goal was to breed a powerful and vicious soldier. (more)

September 23, 2011

Alex Nabaum created this piece for The New Republic to illustrate an article on the fate of American industry and how to revitalize it. (more)

September 22, 2011

Michael Morgenstern created this cover for Science News, illustrating a feature about genetic research and cancer. “Though the idea was to portray the cancer cells as misshapen and malignant, I think the texture and colors gave it a certain beauty,” Michael confesses. (more)

September 22, 2011

Chris Gash revisits a few of his favorite things done for the Business Day section of the New York Times. (more)

September 21, 2011

Taylor Callery illustrated his third feature for Leader's Edge Magazine recently. The story was about brokers being prepared for predictions and benefits of the next hard market. (more)

September 20, 2011

Steven Salerno exercised his considerable portraiture skills to create the cover of the Baltimore Sun Fall Arts Guide, which had to include Jay Z, Kanye West, the logo icon from The Lion King, and film director John Waters! Quite a strange collection of bedfellows, to say the least. (more)

September 20, 2011

Daniel Hertzberg illustrates Ron Dermer, the very influential advisor to Benjamin Netanyahu, for Tablet Magazine. “I wanted this to feel more like the figure drawings I've been doing lately,” says Daniel. “More loose and gestural.” (more)

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