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DANIEL ZENDER
January 8, 2024

Daniel Zender's section cover illustration for The New York Times Business accompanied "The Dark Side of A.I. Is Here." (more)

June 13, 2023

Daniel Zender's cover and interior illustrations for The New York Times Science section accompanied an article about the use of ChatGPT by some physicians, who feel that it improves their ability to communicate with their patients in a more compassionate way. (more)

August 22, 2022

Daniel Zender shares his first cover illustration for The New York Times Sunday Book Review, as well as a spot illustration inside... (more)

July 27, 2022

Daniel Zender's illustration for The New Yorker accompanied an article titled, "David Foster Wallace’s Final Attempt to Make Art Moral." (more)

July 14, 2022

Daniel Zender was commissioned by Atlanta Magazine to illustrate for an article on how violence related to Atlanta’s nightlife scene exploded during the pandemic. Can Mayor Dickens find a way to rein it in?

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May 17, 2022

Daniel Zender's feature illustrations for The New York Times Science Times section accompanied an article on "worker-watching," another name for how companies keep tabs on employee behavior... (more)

May 11, 2022
“Diminished Chords” for @splice
“diminished chords have a distinctive timbre: tense, dark, and unstable sounding. And without context, diminished chords may sound off-putting.”

Daniel Zender illustrates “Diminished Chords” for Splice. Diminished chords have a distinctive timbre: tense, dark, and unstable sounding. Without context, diminished chords may sound off-putting. (more)

May 4, 2022

Daniel Zender shares his latest illustration for The New York Times Book Review article, “Harnessing ESP to Forestall Death and Disaster.” (more)

April 20, 2022

Two of Daniel Zender's Scream horror-scope illustrations, originally commissioned by Refinery29 to celebrate the release of Scream 5, were selected for American 41 Illustration Annual book. 

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April 30, 2021

Daniel Zender's illustration was selected for American Illustration 40...

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