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JOHN TOMAC
April 25, 2017

John Tomac’s brilliant illustration for Texas Co-op Power magazine accompanied an article on the increased egg-laying production in chicken coops when they are lit with summer-simulating LED bulbs. (more)

April 21, 2017

John Tomac’s illustration for the June issue of Kiplinger’s Personal Finance accompanied profiles of a handful of pharmaceutical companies poised to post healthy gains, thanks to new drugs that could tip the scales in the battle against cancer. (more)

April 19, 2017

John Tomac’s cover and interior illustration series for The Chronicle of Higher Education accompanied a feature about the effect of “big data” on campus. Being able to collect and analyze all sorts of information is reshaping colleges, often for the better, but it comes with some limitations. (more)

April 4, 2017

John Tomac’s illustration for the current issue of Risk Management Magazine accompanies an article that tries to make sense of the red tape that surrounds absentee employees, quite literally an unseen part of the workforce. (more)

March 20, 2017

John Tomac's illustration for TIME Magazine accompanied an article explaining why an interest rate hike is an indicator of a healthy economy. Low rates and quantitative easing combine to make the doctor treating a patient. Interest rate hikes are the patient paying the bill (even if he's not 100% healed.) (more)

March 15, 2017

John Tomac's illustration for the Weider History Group’s Fire for Effect Column takes its title and inspiration from the Buffalo Springfield classic protest song, “For What It’s Worth.” (more)

March 14, 2017

John Tomac illustrated a series of three Snapchat filters for fast food retailer Jack-in-the-Box. And you thought Snapchat didn’t know how to make money… (more)

February 3, 2017

John Tomac’s first cover illustration for The New Yorker is a bittersweet achievement:  “Under more ordinary circumstances, the cover of our Anniversary Issue, marking ninety-two years, would feature some version of Rea Irvin’s classic image of the monocled dandy Eustace Tilley. This year, as a response to the opening weeks of the Trump Administration, particularly the executive order on immigration, we feature John W. Tomac’s dark, unwelcoming image, “Liberty’s Flameout.” (more)

January 4, 2017

Theispot is proud to host a wide selection of top editorial talent.  These artists have worked for virtually every magazine and newspaper in the US, as well as internationally.  We’ve chosen just a few ‘best of the best’ to represent this section.  Explore each of these featured Editorial illustrations in depth by clicking on the links below. (more)

December 13, 2016

John Tomac’s page one illustration The Boston Globe Business section accompanies a feature on the ramifications of health insurance being sold across state lines. (more)

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