Tom Richmond’s stealthy illustration of Alfred E. Neuman was commissioned by Warner Brothers Consumer Products to be used on t-shirts for the International Spy Museum on F Street NW in Washington DC. (more)

Dale Stephanos nailed another cover for the New York Observer this week. Here, he paints beleaguered NY Senator Charles Rangel in Willy Loman mode, bags packed for possibly one last road trip.

Tom Richmond had fun departing from his usual style with this Sports Illustrated for Kids spread, illustrating an article on the Oklahoma City Thunder pro basketball team. (more)

Dave Arkle’s latest promo mailer found its way into the PR department of Hulk Hogan’s office.  They ordered a print for the boss right away! (more)

James Bennett’s portrait of a Mt. Rushmorized Stephen Colbert strikes a properly wry note for the cover this behind-the-scenes biography of the comedian. (more)

Clayton Junior illustrated The Current Cinema feature in this week's The New Yorker with a group caricature of the cast of, “Friends with Kids.” (more)

Tom Richmond created the 3D characters of Bernanke, Reagan and Obama for Swiss America’s animated commercials. Tom also did a series of “ghost” versions of some other famous (and dead) politicians that appear very briefly in the last few seconds of film. (more)

Tom Richmond’s comedic gifts, which serve him so well as a regular on the pages of MAD Magazine, are also a boon to more serious clients.  Here he illustrates a workplace poster conveying the message that not every suggestion from an employee needs to be “genius”; often the best ones are just simple and creative. (more)

Tom Richmond is one of three artists nominated by the membership of the National Cartoonists Society as a finalist for their highest honor, the Reuben Award for Outstanding Cartoonist of the Year.  The winner will be announced on May 26th at the annual NCS Reuben Awards dinner in Las Vegas, NV. (more)

Jason Seiler took just a day and a half to paint his latest Obama for the cover of this week’s New York Observer.  The feature story highlights the life and death of the great American urban agenda. (more)