Carl Wiens was asked to create a piece for a fundraiser to benefit The Regent, a renovated landmark theater in his native Prince Edward County. The goal was purchasing a state-of-the-art digital projector, so Carl decided to invent his own: “Not modern or digital, but very, very enthusiastic!” (more)
Carl Wiens piece for the New York Times Business Weekend section involved a subtle interpretation of Darwin's writings. What if we thought of the marketplace as adaptive, finding more efficient methods of wealth creation and distribution, and move beyond Adam Smith's 'invisible hand'? (more)
Carl Wiens has had a jam packed summer; here's an update on some of his recent work. First, two fun illustrations for PLAN ADVISOR magazine: (more)
Carl Wiens created this noir-ish illustration on a super tight deadline for the Wall Street Journal. The topic was crime, specifically a wave of new crime novels and imprints. (more)
Carl Wiens’ illustration for the New York Times Business section demonstrates perfectly the common ground shared by Democrats and Republicans in the area of healthcare, despite their partisan bickering. (more)
Carl Wiens thoroughly enjoyed this assignment, from OnEarth Magazine, to illustrate an article on the rise of bamboo as the material of the future. It has been in use for a long time in construction, furniture, and food; now high-end bicycle builders are crafting their own custom frames from bamboo. (more)
Carl Wiens has been illustrating spots for Vancouver magazine's Panorama section for the past four years and still going strong. “These run at about 1" square, so there is always a premium of distilling images down to their simplest form. It's the kind of discipline that keeps you sharp,” says Carl. (more)
Carl Wiens created a series of images for Explore Magazine to illustrate a feature called “Camping 101”. Working with just two colors kept things simple and clear: perfect for this story. (more)
This great visual by Carl Wiens for a story on Tor.com called “The President’s Brain is Missing,” has been chosen for inclusion by the American Illustration 30. (more)
Carl Wiens worked up an iconic visual, featuring the sun as the ultimate renewable energy source, for the Wall St. Journal. (more)
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