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January 17, 2012

Today’s New York Times Science Times section is front to back full of work by members of theispot.com. Viktor Koen illustrates a piece on a practical method of slowing climate change: (more)

January 16, 2012

Vic Kulihin’s illustration is featured on the cover of The Heights: Anatomy of a Skyscraper, the latest installment from author Kate Ascher. The Heights is a textual and graphic exploration examining every aspect of designing, building and maintaining a modern skyscraper. (more)

Tags: Vic Kulihin, Book
January 16, 2012

Daniel Hertzberg created a full-spread illustration for an interview with Bob McDonald, the CEO of Procter & Gamble. In the interview, he explains his mission to make P&G the most technologically enabled business in the world. Every aspect of the company's operations... (more)

January 12, 2012

Dale Stephanos worked a quick turn around for the New York Observer on the eve of the New Hampshire primary. The art director requested a spoof of “National Lampoon's Vacation,” with the candidates in the beat up station wagon. (more)

January 12, 2012

Anthony Freda’s portrait of Martin Luther King Jr. was created on an actual blackboard, adding yet another level of significance to this inspirational work of art. (more)

January 10, 2012

Erika Steiskal’s Piranha Girl has earned her a Gold Medal in the Society of Illustrators West Annual Competition! (more)

January 10, 2012

Brian Stauffer’s gorgeous cover for the January 2012 issue of Worth magazine literally blows us away. (more)

January 10, 2012

Dale Stephanos’ funny/creepy “Live & Let Kill” cover for SF Weekly has earned him a Bronze Medal in the Editorial category from the Society of Illustrators LA - Illustration West 50. (more)

January 9, 2012

Kevin Sprouls was assigned the task of illustrating some germicidal specimens for the Canadian market, in an ad for Lever 2000 hand soap, at the request of J. Walter Thompson, Toronto. So, wash your hands… or else! (more)

January 9, 2012

Shaw Nielsen’s illustration for Fortune magazine is about the emergence of Facebook credits as a currency to buy things outside of Facebook, such as items in video games and even some physical objects. (more)

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