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October 20, 2014

James Fryer’s illustration for the listings in Radio Times magazine accompanied a synopsis of a program called “The Descent of Man.” The show pondered the uncertain future of masculinity and posed the question - will there ever be a time when men are not needed? (more)

October 20, 2014

Rob Dobi’s illustration for Gawker is about failed made-for-TV businesses. (more)

October 20, 2014

Joyce Hesselberth’s illustration for The Chronicle accompanied a story on how social networking has changed language. Words like "friend" and "status" now have different meanings, largely, though not entirely, because of social media. (more)

October 20, 2014

Molly Jacques' hand lettered the inspiring message for Ford Motor Company’s “Team Detroit” social media campaign. (more)

October 20, 2014

John Tomac explores a couple of the dos and don’ts of attending a real estate open house in this illustration for The Boston Globe. (more)

October 20, 2014

Raul Colon’s latest children’s book, “Draw!” published by Simon & Schuster, wordlessly follows the inward journey of an artist’s creativity as channeled through the protagonist: a young boy confined indoors by illness. Imagination and art supplies transport him to a fantasy world of adventure in Africa. (more)

October 20, 2014

Tom Richmond’s illustrations for MAD magazine’s latest parody, “Orange is the New Blecch,” manage to combine accuracy, humor and about a million characters over the course of eight pages. Here’s a sneak peek: (more)

October 20, 2014

Davide Bonazzi created four conceptual illustrations recently for Universal Postal Union magazine, an agency of the United Nations. The topic was the importance of implementing a tracking system by scanning barcodes for outgoing issues in the Asia-Pacific region, in order to improve the delivery services. (more)

October 17, 2014

Daniel Hertzberg’s full page illustration for the Boston Globe Magazine accompanied a case study of one man’s profound and inexplicable memory loss. (more)

October 16, 2014

Carlo Giambarresi was commissioned by LA Ads in Toronto to illustrate a teaser campaign promoting the development of The Selby, a new luxury highrise condominium. Carlo’s graphic image highlights a signature feature of the newest addition to the city’s skyline: its bright red color. (more)

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