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April 21, 2015

John Tomac worked with a team of creatives and coders on the site relaunch of Exclamation Labs, a web agency from Cumberland, Md. They came with visions of superheroes, dragons and deep sea divers. How could John possibly say no to that? (more)

April 21, 2015

Chris Gash’s illustration for Chicago Magazine accompanies an article about a movement to have the violet removed as the Illinois state flower in an effort to save the endangered local flora.  (more)

April 21, 2015

Jon Krause illustrated an article on the theoretical connection between mythic particles and earthly hazards for the New York Times Science section. (more)

April 21, 2015

Taylor Callery created the poster illustration for the Arizona Theatre Company's production of "Disgraced," a Pulitzer Prize winning play centered on sociopolitical themes such as Islamaphobia and the self-identity of Muslim-American citizens. (more)

April 21, 2015

Richard Borge’s illustration for the New York Times Business section accompanied an article about the complex debate on how much the rich should be taxed to benefit the less wealthy. (more)

April 20, 2015

Eric Hanson illustrated and hand lettered the doodlicious wraparound cover for “The Maintenance of Headway,” published by Bloomsury. (more)

April 20, 2015

Michael Sloan welcomes another Earth Day this week with a series of illustrations created over time for the Washington Post about various environmental issues. (more)

April 20, 2015

John Tomac’s illustration for The Sunday Boston Globe accompanied an article about research from the University of Houston indicating that repeated reminders from your Facebook news feed that everyone else’s life is awesome can cause depression. (more)

April 20, 2015

Richard Ewing’s ongoing series of avian illustrations, Bird Shots, pairs beautifully observed studies with small snippets of biology to produce a charming, informative body of work. (more)

April 20, 2015

Steven Noble was commissioned by the Brand Content agency to create a series of "off the wall" characters to complement the Jeremiah Weed Whiskey packaging. The illustrations include flipped faces, border embellishments and twisted arms to add a handmade quirk to the spiced whiskey brand.  (more)

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