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January 26, 2015

Peter Arkle demonstrates the difference between illegal bribery and legal bribery in this op-ed illustration for The New York Times on Sheldon Silver, corruption and New York politics. (more)

January 26, 2015

Steven Noble was commissioned to illustrate a chaotic and decadent kitchen scene, rife with pigs’ heads, wild rabbits, deer carcass, crayfish, eels, tongues, tails and bubbling stock pots for his latest wine label client, Ravensworth. (more)

January 26, 2015

Doug Chayka’s full page feature illustration for HR Magazine is all about the problems with (mis)understanding cultural nuances in today's global workforce. (more)

January 26, 2015

Wesley Bedrosian’s weirdly accurate 3D caricature style nailed this illustration of Vladimir Putin trying to warm relations with Latin America for a recent issue of for Americas Quarterly. (more)

January 26, 2015

Christina Wald illustrated a fascinating nature book for Capstone/Picture Window Books about the Christmas Island crab migration. Order a copy of this volume in the Extraordinary Migration series from Theispot.com Bookstore! (more)

January 26, 2015

John Kachik created this illustration for story about the famous aviator Charles Lindbergh and the bumpy flight he experienced in Texas in the 1920s. (more)

January 26, 2015

Scott Roberts' illustration for Brigham Young University Alumni Magazine accompanies an article about “PIERRE,” which stands for Pseudo-Intelligent Evolutionary Real-time Recipe Engine.  Can a computer be creative in the kitchen?  (more)

January 22, 2015

Kirsten Ulve’s cover illustration for the New York Observer is a semi-abstract, completely accurate group portrait of this year’s Best Actress nominees, featuring Julianne Moore as the frontrunner. (more)

January 22, 2015

Tim O’Brien illustrates the cover of another young adult blockbuster Scholastic, “Words in the Dust,” a powerful novel set in contemporary Afghanistan. (more)

January 22, 2015

Alison Seiffer’s illustration for The New York Times Styles section demonstrates that for new media power brokers, lunch is spent at the keyboard or on the run and definitely martini-free. (more)

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