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April 20, 2017

Ben the Illustrator is all over New York City this week, thanks to his colorful signage for the Department of Transportation’s Earth Day initiative. Some 70 of Ben’s cute and informative signs were installed around town to herald Car Free NYC this weekend! (more)

April 20, 2017

Michael Morgenstern’s illustration for The Chronicle of Higher Education accompanied a book review on the increasing number of people who cope with a bewildering present by expressing nostalgia for a past that never was. (more)

April 20, 2017

Taylor Callery broke out the aerosols and silkscreens to create this stunning full page illustration for Scientific American MIND . The feature article is about how success/power changes how people think and act - sometimes for the worse. (more)

April 19, 2017

Mark Smith comments wryly on the upcoming UK Flash Election: “So, whose turn is it to drive…?” (more)

April 19, 2017

Chris Gash’s illustrations for Pentagram and USC magazine accompanied an article about amazing reconstructions of muscle and tissue thanks to microsurgery. (more)

April 19, 2017

John Tomac’s cover and interior illustration series for The Chronicle of Higher Education accompanied a feature about the effect of “big data” on campus. Being able to collect and analyze all sorts of information is reshaping colleges, often for the better, but it comes with some limitations. (more)

April 19, 2017

Melinda Beck’s illustration for Stanford Magazine accompanies an article debating the efficacy of antidepressants. (more)

April 19, 2017

Kevin Sproul’s graphic black and white scratchboard illustration style has put him in steady demand for rendering clear and memorable branding. A software company called Bomb Factory, which makes tools for musicians and songwriters, was happy this explosive logo: (more)

April 19, 2017

Charlie Powell illustrated a cheerful portrait of George Forman, relaxing on his ranch, for an interview in Texas Highways Magazine. (more)

April 18, 2017

Davide Bonazzi’s illustration for Science magazine accompanied a feature questioning what it means to be a human in a world where technology allows us to manipulate our DNA and brain circuitry. (more)

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